The early Asante progenitors of Ghana keenly created numerous images that rationally taught society individuals on the ethical code of living. This helped extraordinarily in advancing social union and serene relationship among themselves. A basic examination of the images uncovers the inventiveness of the Asante progenitors. Created since the 1600s, a significant number of these images have emblematic translations which when contemplated over offer canny guidance that enhances the ethical money of the people who keep them. One of such significant Ghanaian images is the ‘Bi-Nka-Bi’.

The pictorial portrayal of the image shows a few swelling bends that emblematically address various people in the general public. In a logically created picture, these swelling bends join into one complete shape, implying solidarity or unity. Accordingly, the image means harmony among each other. Others say that the image is a preoccupied portrayal of two fishes gnawing each other’s tail, cautioning against all types of hardship and debates.

This image in a real sense signifies ‘Nibble not each other’. Gnawing, as utilized in this specific circumstance, implies competition, clashes or misconstruing. The image counsels society individuals not to permit any enemy of harmony issue to disturb the harmony that exists between them. It advocates agreeable settlement of all types of misconception that could plant the seed of contention and struggle. In a run of the mill Asante setting, questions between families are relied upon to be talked about and helped promptly at the family level by the family head ‘Abusuapanyin’. S/he is commanded by customary by-regulation with the power to pay attention to the complaints of each party that brought about the debate, exhorts and genially settle the misconception before it could decline and grow into a greater clash. Obstinate gatherings who don’t stand by listening to the family head are shipped off the master of the town who is the boss and his bureau of older folks. He is the last say in all matters and his decision is considered convincing of a wide range of cultural struggle. In similar light, troublesome struggles that result between heads of adjoining towns and towns are shipped off the vital boss to settle it. Adinkra symbols The support of every one of these harmony settling game plans in the general public was for each general public part to smoke the harmony pipe constantly.

As a type of customary token of this significant social request in the Ghanaian culture, the ‘Bi-Nka-Bi’ image is frequently recorded, demonstrated and painted on different structures, earthenware products, shoes and different things utilized in the general public. Additionally, the image is utilized as the chief plan in the development of numerous gems things for individual embellishment. It is fitting that the recognition of the 62nd autonomy day of Ghana has embraced the image in indicating the critical message of harmony among all ethnic social orders in the country. The author suggests the utilization of the image by harmony establishments and foundations in portraying the symbolism of harmony and in all types of instruction on harmony completed worldwide.